About This Image
Signed 'Dora Markovitch' with estate stamp 'DM 1998' and '155 SI 082' on print verso. Provenance: Estate of Dora Maar.
Dora Maar (November 22, 1907 – July 16, 1997) was a French photographer, poet and painter of Croatian descent, best known for being a lover and muse of Pablo Picasso. Maar's first photography exhibition was at the Galerie de Beaune in Paris, in 1937. She had one-woman exhibitions of painting in Paris at Jeanne Bucher (1943) and Pierre Loeb (1945).
After a period of semi-monastic life devoted to mystical experience, she began exhibiting her paintings again during the 1950s. Towards the end of her life, she renounced her earlier association with Surrealism.
Maar supported herself in the 1920s and 1930s as a commercial photographer with portraits and advertisements, and pursued street photography and avant-garde experimentation in her spare time. She was prominent in Parisian art and photography circles.
In her photographs, Maar imbued blind beggars and impoverished children with unusual dignity; made distinctively austere Surrealist collages, montages and setup images (a pair of shoes seemingly walking on a beach); and created two haunting works using the ceiling of a cathedral, turned upside down.
She got on film what might be called street Surrealism: a discarded doll, hanging from a nail on a wood fence; a group of tussling children with an extra pair of legs. Her photographic work has a distinctive formal clarity and emotional directness.
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Medium Silver print
Photo Date 1930c Print Date 1930c
Dimensions 4-1/8 x 2-3/8 in. (105 x 60 mm)
Photo Country France
Photographer Country France